Former West: Art and the Contemporary after 1989
“Former West: Art and the Contemporary after 1989”, Maria Hlavajova, Simon Sheikh and Kathrin Rhomberg, MIT Press, Cambridge, Massachusetts, 2017.
Trigger: Gender as a Tool and a Weapon
“Trigger: Gender as a Tool and a Weapon,” Johanna Burton, Sara O’Keefe, Rizvana Bradley, Jeannine Tang, Julia Bryan-Wilson, Mel Y.Chen, Kate Wiener, Lia Gangitano, Ariel Goldberg, Jack Halberstam, Fred Moten, and Eric A. Stanley. New Museum of Contemporary Art, New York, 2017.
I Want a President Transcript of a Rally
“I Want a President Transcript of a Rally”, November 6, 2016. This publication was made possible with support from Hauser & Wirth with additional support from Thea Westreich Wagner and Ethan Wagner.
Not Now! Now!
“Temporal Relations ” in Not Now! Now! Chronopolitics, Art & Research, Sternberg, Berlin 2014.
People Have the Power
People Have the Power, catalogue for People Have the Power, Madrid, Ineditos, 2013.
There’s So Much I Want to Say to You
There’s So Much I Want to Say to You, Whitney Museum of American Art & Yale University Press, 2012.
Coming After: queer time, arriving too late and the spectre of the recent past
Coming After: queer time, arriving too late and the spectre of the recent past, (Publication in conjunction with the exhibition Coming After, The Power Plant, Toronto, 2011-12), The Power Plant, Toronto, 2012, 57-64.
Sharon Hayes: The Other Tradition
Sharon Hayes: The Other Tradition, Catalogue, Wiels: Contemporary Art Centre, Brussels, 2011.
In The Near Future
Sharon Hayes. In The Near Future, Catalogue, Contemporary Art Gallery, Vancouver, 2011.
Certain Resemblances: Notes on Performance, Event, and Political Images
On Horizons: A Critical Reader in Contemporary Art (BAK Critical Reader Series), Ed. Maria Hlavajova, Simon Sheikh, and Jill Winder, BAK, Utrecht, 2011.
Dialogue: On the Politics of Voice
“Dialogue: On the Politics of Voice”, Mary Kelly, Cecilia Wiedenheim (eds.), Jane Jin Kaisen, Sharon Hayes, Andrea Geyer, Don’t Rhine et al. IASPIS, Stockholm, 2011.
The Air We Breathe: Artists and Poets Reflect on Marriage Equality
“The Air We Breathe: Artists and Poets Reflect on Marriage Equality”, Apsara DiQuinzio, Eileen Myles, Martha Nussbaum and Frank Rich. San Francisco Museum of Modern Art, 2011.
Queer Voice
Queer Voice, Catalogue, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2010.
Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present
Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Ed. Lynne Cooke and Douglas Crimp, MIT Press, Madrid, 2010.
Vectors of the Possible
Vectors of the Possible, Ed. Maria Hlavajova, Simon Sheikh, Jill Winder, Marlies van Hak, Ineke van der Burg, Douglas Crimp, MIT Press, Madrid, 2010.
Considering Forgiveness
“Considering Forgiveness”, Aleksandra Carin Kuoni, and Matthew Buckingham. Vera List Center for Arts and Politics, New York, 2009.
Not Quite How I Remember It
Burke, Gregory, and Helena Rickett, “Not Quite How I Remember It”, The Power Plant, Toronto, 2008.
A Guide to Democracy in America
A Guide to Democracy in America (Publication accompanying the project Democracy in America: The National Campaign), Ed. Nato Thompson, Creative Time Books, New York, 2008, 61-62.
Sharon Hayes: After Before, in the near future
Sharon Hayes: After Before, in the near future, Art in General, New Commissions Program Book Series, ed. Sofia Hernandez Chong Cuy, 2007.
An Eye for an Ear and Vice Versa
Catalogue for Katya Sander, The Most Complicated Machines Are Made of Words, MuMoK, Vienna, Austria. 2004
Now Entering Brooklyn
Now Entering Brooklyn, Public Art Fund, catalogue for Sandwiched, 2003.
Unstable Realities: The Work of Lam Kin-Hung and Lana Lin
“Unstable Realities: The Work of Lam Kin-Hung and Lana Lin,” The Wight Biennial catalogue, October 2002
notes on : Cambio de Lugar_Change of Place_Ortswechsel
“notes on : Cambio de Lugar_Change of Place_Ortswechsel,” LeTTeR, Vol. 1, November 2002.